RE:Lens

Shoot with super-wide fisheye lenses and animate orientation, stabilize and zoom (focal length) using RE:Lens Superfish with very high res video.Great for narrow places, non-scripted, non-predictable shoots and extra POV wide-angle cameras, PTZ in post. *Resolve tends to change a lot, version used:  v.20.2.3

Cameras used:Ex. 1 - Canon c500 with the HAL 220 lensEx. 2 - Panasonic GH5 + Entaniya 250° lensEx. 3 - RED Monstro camera with a HAL 200 6.0mmEx. 4 - Sony Mirrorless camera with HAL 200 

In this tutorial, you will see several examples where you will see different kinds of lens and which RE:Lens tool to use for what purpose.

Cameras and lenses used:

Ex. 1) - (00:15) Wide-angle lens used on GH4: Panasonic 7-14mm f/4 

       Beating the edge of frame over-stretching with Defish

Ex. 2) - (01:29) Anamorphic Lens used on GH 4: SLR Magic Anamorphic-Cine 2X 50mm T2.8 MFT

       Non-Square Pixel Aspect Ratio, Anamorphic process

Ex. 2.A) - GoPro Hero 4 Black Superview Mode

Ex. 3) - (06:05) Full Frame Fisheye project-Lens used: Panasonic Lumix 8mm fisheye on GH4

        Full Frame Fisheye and RE:Lens Defish

Ex. 4) - (07:06) Circular Fisheye - Lens: Sigma 4.5mm f 2.8 DC HSM Fisheye for Canon

        Circular Fisheye lenses and RE:Lens Superfish

Ex. 4.A) - With Kipon Adapter

Ex. 4.B) - With Metabones Adapter

Ex. 5) - (11:10) Super Fisheye Lenses - Lens: Superfish lens by Entanya Entapano 280deg. on Back-Bone Ribcage

       - Superfish Lenses

In this tutorial, we will see how to use motion graphics, text and AE Paint with RE:Lens.

Description:In this tutorial, you will see a workflow example of tracking a flat graphic to footage that was shot using a Full Frame Fisheye Lens.  Lens used: Panasonic Lumix 8mm fisheye on GH4 Full Frame Fisheye and RE:Lens DEFish

In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens Superfish, ToLatLong and FromLatLong.

In this tutorial, you will see the workflow of a RE:Lens project utilizing Superfish and the "Spherical Stabilization" feature.  
Special thanks to JK Imaging Ltd. for the use of the Camel footage.

In this Overview, we discuss using a 360 camera rig as second video camera to cut to. In this project we met different challenges and see how we solved them  provided using RE:Vision Effects plug-ins.

Camera used:GoPro Omni 360, GoPro Karma drone

Software used: Stitching done in GoPro Kolor (Autopano), RE:Lens From LatLong (for 360 source), RE:Lens DeFish to flatten the drone movie, Twixtor to time synch the drone movie.

Camera tech: Andrew Ganzon

In this tutorial, we will use RE:Lens in Scratch by ASSIMILATE and see how to animate a camera move in post on fisheye footage sources.  The source material was shot with Panasonic GH5 in Photo6K mode using Entapano 250 deg. superfish lens. The host used here is Scratch as it supports mp4 video files over 4K  which is what the GH5 records in that 18 MP recording mode.

*Note at 06:21, I said "horizontally" but I meant "vertically".

In this tutorial, we will use the RE:Lens Superfish and the From Latlong plugin, to animate the camera in post and show two examples.   

camera used: Modified GoPro camera with the Entanyia fisheye lens by Entapano 

In this tutorial, you will see some advanced tips and tricks for using the Spherical Stabilizer within RE:Lens ToLatLong.  
Special thanks to Kevin Cruz & KODAK PIXPRO for the use of the Camel footage

In this tutorial, we will see how to use your virtual set and re-use it with RE:Lens.

13 layers composited in equirectangular space with RE:Lens "To LatLong" plug-in.

RE:Flex Morph was used to create animated loops of the greenscreen footage to fit duration.RE:Map UV was used to texture map the monitors.RE:Match Color was used to match a plate that wasn't color balanced.Video stitched with VideoStitch and PTGui.3D set made in Maya, rendered in Mental Ray.Assembled in After Effects

In this tutorial, you will learn how to upload 360º Video to YouTube and Facebook.  Go to this url for step-by-step instructions..https://support.google.com/youtube/answer/6178631?hl=en

Also, how to export your 360 video with proper metadata, directly from Premiere Pro and After Effects.

In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

In this tutorial, we will use RE:Lens in FCP X to directly convert 280 degree fisheye footage, to latitude longitude panoramic format suitable for 360 video viewers.

In this tutorial, you will learn the basics of how to use the "Spherical Stabilization" feature within RE:Lens in FCP X.

In this tutorial we will see two examples of how to input footage at one size and output at another size in Resolve with the RE:Vision Effects RE:Lens plugin.

In this tutorial, you will learn the basic steps needed to use RE:Lens in Scratch by assimilate when the input and output have different resolutions.*Note: This tutorial is for Scratch version 9 and higher.  For earlier versions of Scratch, please watch this tutorial. Earlier versions

Andrii Shramko demos a useful feature in RE:Lens spherical stabilizer allowing you to handle real hard shots by masking areas of the source. You can also use this feature on fisheye stabilization where there is moving junk (light flares and leaks) outside of the image circle that affects the tracking, as well as in stitched videos where a camera is moving indepedently from the rest of the rig (which confuses any tracker).
https://www.facebook.com/shramko360/

In this tutorial, will see how to handle clips with different input and output sizes using Batch in Flame with a RE:Lens plugin.