Twixtor After Effects Screencasts

This Tutorial shows how to get better tracking using a matte to separate your footage into  multiple layers.  Multiple layers are available in Twixtor Pro for AE, FCP, Premiere Pro, and Twixtor for Smoke, Flame, Fusion, Nuke & OFX hosts such as Scratch & Composite.

This screencast gives an overview of how to use Twixtor within After Effects, including how to apply Twixtor, how to speed up and slow down using Twixtor, and special considerations needed.

Timestamps:

00:10  Speeding Up

04:26  Slowing Down

04:55  Animation Curves

This Tutorial covers the basics on how to do a simple Speed Ramp effect using Twixtor in After Effects.

This tutorial covers the basic concept of timewarping a video track to a different audio track using Twixtor. As example, we lip-synch an outdoor shoot to a studio recording.

A special thank you goes out to Christopher Hawley ( www.ChristopherHawley.net) for letting us shoot footage of you singing/playing "Dance all Day" for this tutorial.

This Tutorial shows how to mark segments in an edit in order to avoid warping across edits when speeding up or slowing down the overall edit.

A special thank you goes out to MarkEFXS for letting us use this footage.

This Tutorial demonstrates how to do a frame rate conversion from 30fps to 24 fps. This tutorial specifically using footage from the Canon 5D Mark II but this method can be applied to any frame rate conversion using Twixtor.

Footage provided by Banditos Brothers

This Tutorial explains when it is appropriate to use Smart Blend and shows Twixtor and Twixtor Pro with Smart Blend and compares a panning shot slowed down 10x with and without Smart Blend.

A special thank you goes out to MarkEFXS for letting us use this footage.

This Tutorial explains how to use Motion Sensitivity to avoid unwanted warping in your re-timed shot.

This tutorial covers some advanced tools in Twixtor Pro including Masks & Splines and also, Smart blend usage and tips on Roto'ing to improve final results.

In this tutorial, we interpolate between different still camera views.  We review some advanced techniques (mattes and splines) to help the frame interpolation.  RE:Match Stereo was used to remove a water spot from the footage. 

In this tutorial, we will see three examples showing the workflow from Premiere Pro to After Effects using Dynamic link.  Examples include use of Twixtor, RE:Match and RE:Lens plugins.

Many users ask us if  Twixtor can retime audio. While Twixtor only retimes video, there is an easy way to use After Effects to retime the audio, but use Twixtor to retime the video, all at the same time.  This tutorial shows you two different methods on how to do this.

Special thanks to Tim Easton for being my model for the footage.

In this tutorial, you will see part 1 which covers some of the new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 2 for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial.

In this tutorial, you will see part 2 which picks up where part 1 leaves off, covering new features in Twixtor 7, running on Premiere Pro and AE 2020.  You will want to watch part 1 first for the rest of the new features. You will want to download the latest version of Twixtor to follow along with this tutorial. Features covered in this tutorial:  

00:27 - InFPS = OutFPS. 

01:25 - Converting 25FPS to 23.976 FPS and keeping the audio in sync.

03:13 - 360 Video checkbox

03:22 - Twixtor Pro - RGB+A